12.02.2006
11.07.2006
Post-Industrial Landscape
10.06.2006
9.29.2006
9.23.2006
Telopolis
8.13.2006
8.06.2006
Just to Clarify...
For all the notes and descriptions I've wrote to make sense, you have to read the blog from the bottom up. That's the way it posts and so far I haven't figured out how to make it do the opposite.
8.02.2006
7.29.2006
7.28.2006
some artists that inspire me...
Miro, Constellations series, The Beautiful Bird Revealing the Unknown to a Pair of Lovers," 1941
Basquiat, "Riding with Death"
Thiebaud, "Urban Freeways"
Diebenkorn, "Ocean Park"
Ernst, "The Entire City"
just to give you an idea of where I'm coming from...
some WWII euro surrealism, so california cityscapes and some new york whatever was going on in the 80s.
Basquiat, "Riding with Death"
Thiebaud, "Urban Freeways"
Diebenkorn, "Ocean Park"
Ernst, "The Entire City"
just to give you an idea of where I'm coming from...
some WWII euro surrealism, so california cityscapes and some new york whatever was going on in the 80s.
Glasses
Barcelona, 2003. Probably the most singly inspired point in my life as far as my arts goes. The watercolor Barca is from then,as well as some more great works on paper that I will post up at some point.Through Syracuse, I did this study abroad at the Fundacio Centre de Vidre. An amazing glass school, one of the best in Spain.
The two types of pieces that make up the set result from happy accidents. It is not glass blowing. They were cut by hand for the triangular things and using a drill press for the circles. Then tack fused together. Real simple compared to a lot of the stuff people do.
The forms are both natural and urban...the idea of blurring the line appeals to me. I get a lot out of arranging them, especially because the photos can be quite beautiful in their own right.
Even though I consider myself a painter, I often feel like this is my best work. That's why I'm taking another similar studio at the Crucible in West Oakland this summer. I will let you know how it goes.
The two types of pieces that make up the set result from happy accidents. It is not glass blowing. They were cut by hand for the triangular things and using a drill press for the circles. Then tack fused together. Real simple compared to a lot of the stuff people do.
The forms are both natural and urban...the idea of blurring the line appeals to me. I get a lot out of arranging them, especially because the photos can be quite beautiful in their own right.
Even though I consider myself a painter, I often feel like this is my best work. That's why I'm taking another similar studio at the Crucible in West Oakland this summer. I will let you know how it goes.
7.27.2006
Now for some paintings...
These three are based on photos I took out of moving vehicles...I'm a total sucker for the blurry streaks of light that you get when you take digital photos at night without a flash. All three are acrylic & guache on 24" x 36" canvas. I made these in the spring and summer of 2005.
7.26.2006
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